), and is occasionally clumsy in its comebacks. After a fiery Twitter storm courtesy of Kanye (though it was far from their first feud), Taylor finally sheds her decade-old, good girl persona for the villain alter-ego curated by the media, opting to settle the score through what she does best: traversing new sonic territory. Rather, their relative simplicity only adds to Fearless' charm, bridging the old with the new a woman's voice singing a girl's anthems to make a once good album now great. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. "I have this Forrest Gump-ian way of touching something and it becomes a hit!" Tier ranking every single Taylor Swift song was the hardest thing I've ever done lol, so ENJOY! Shes mined this type of melancholy tone before, but never for the full length of an album and certainly never with such a range of perspectives. In a statement when her tenth studio album was first revealed Swift explained this project is the stories of 13 sleepless nights scattered throughout my life, meaning its filled with the sorts of realisations that only hit you in the wee hours. Where her debut guaranteed she was, at the very least, a momentary sensation, it wasn't until 2008's Fearless that the world understood the musical force that Taylor Swift could be. It isnt the weight of the subject matter alone that makes Folklore feel so vitalits the exemplary caliber of her writing. The music of folklore takes its time to unfurl, ivory keys yawning at dusk, acoustic strings waking at daybreak. this link is to an external site that may or may not meet accessibility guidelines. Keefe, Swifts seventh album, Lover, lacks a unified sonic aesthetic, ostensibly from trying to be something to everyone. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. First released in 2008, its original release won the Grammy for Album of the Year, and thirteen years later in 2021, Fearless (Taylors Version) became the first of Swifts re-recorded albums to drop. In the song, she celebrates a level of stardom that she'd continue to exponentially build upon in the years to come: "And bring on all the pretenders / One day, we will be remembered. this is everything before Red (Taylor's Version) it took so l. The All Taylor Swift Songs (including Midnights) Tier List below is created by community voting and is the cumulative average rankings from 190 submitted tier lists. To celebrate, weve revisited all 10 of her studio albums and ranked them from best to worst. But the true gems of this wildly successful 2021 re-recording (which topped every chart in sight across the globe) are undoubtedly "Love Story," which resurfaces here with heightened sensibilities and deeper convictions, along with several songs "From The Vault," most notably "Mr. The resulting 2021 album, Fearless (Taylor's Version), is an inspiring feat and first step forward after reclaiming the masters of her life's work. It's 1989's sonic spirit with more lyrical depth, dipping a brush in her newfound solipsism and painting musical murals of Taylor's "13 sleepless nights," scenes of "self-loathing, fantasizing about revenge, wondering what might have been, falling in love, and falling apart" construed in vivid detail. There's no question her most recent two albums are related, as "Evermore" has a similar sound and features nods to "Folklore. This time, "All Too Well" retires a full band backing for hazy synths, but it's anything but smoke and mirrors. His contributions here are uniformly clean and efficient, but plenty of his signature production tics, even if theyre presented here in a fresh context, are beginning to feel overused. Like the "Taylor's Version" before it, 2021's rendition of Red lassos fans' near-decade old affection and nostalgia for the songs and herds them into an encore of adoration. Taylor may be wise beyond her years, but that doesn't spare her from petty rage, especially on "Better Than Revenge" (which is essentially her "Misery Business"), scorning another girl for "the things that she does on the mattress" while likening their shared love interest to a toy on the playground in the next breath. What makes Taylor's first foray into pop so often irresistible is her ability to rise above the genre's preoccupation with recycled hooks and surface level lyrics. It's a dreamy pop album, though not fully aligned with that subgenre thanks to more of Jack Antonoff's signature production, which injects Midnights with a pulsing, mounting aura in hypnotizing new tracks "You're On Your Own, Kid," "Mastermind," and Spotify play count heavyweight champ "Anti-Hero." In fact, most every song is stripped to a softer core than we've ever heard from Taylor before, with the exception of some past anomalies (re: Reputation's "New Years Day"). 'Red' is filled with top notch tunes: the brilliantly snarky 'We Are Never Ever Getting Back Together' (Swift's first ever Billboard 100 Number One) and fizzing '22' are stone-cold smashers. "Drew looks at me / I fake a smile so he won't see / that I want and I'm needin' / Everything that we should be" was as good as poetry, and a north star to the forlorning that looms in girlhood. The MCUs tiniest heroes are kicking off its biggest phase yet, setting up the next several years of storytelling. Cruel Summer, co-written with St. Vincent, a euphoric three minutes of exhilarating 80s synth-pop, should have been a single. But in the meantime, Midnights remains on repeat with high regard. It's the product of a prolific mind being forced to slow down, reflect, and create something completely new; A memoirist moved to experiment with a stream-of-consciousness novel. Where Swift has re-recorded an album, we have included only the new, re-recorded version of the record in the ranking. There are many more parallels to past albums, as revisiting life moments already explored in her previous songs creates yet another treasure map of topics for knowledgeable fans. Note: hitting 'no opinion' or 'I like both' frequently will negatively affect your results. "'Fearless' may have established her as a capable teenage singer-songwriter, but 'Red' is the album that solidified her confidence, sexuality, and identity as a bonafide force to be reckoned with," English wrote. Overall, it's charming and mostly tame, but then again, she's happy. There are, of course, a handful of golden tunes (Dancing with Our Hands Tied, Call It What You Want, Delicate). Although there are standout individual songs on the album, "Taylor Swift" isn't particularly cohesive and now that her discography has been built up, it's hard to rank this high when listeners now know exactly what she's capable of. And, of course, the other notable solo feat is "Our Song," marrying a whimsical fiddle with a full-circle story of a good girl's heart won through small rebellions and romantic gestures: whispering on the phone, sneaking kisses through screen doors. But Swifts most recent three albums are united through their more matured temperament and the stark intimacy of Swifts songwriting, with the comparatively scaled-back nature of her sound serving as a natural extension of this methodology. The songs are as fresh as they were when first released in 2014 with the choruses still getting embedded in your head. Released in 2014 and named after the year she was born, "1989" was inspired by the pop music of the mid-1980s. Songs like Love Story, You Belong with Me and Fifteen, filled with heart-on-sleeve lyrics and earworm hooks, remain among her best. 1989 signifies a rebirth of sorts for Taylor, not just because it's named after her actual birth year, but more due to its status as her first seismic genre shift. On Red (Taylors Version), we got the spellbinding 10-minute version of the song, an epic rendition that cements the tunes place as a songwriting triumph. Yet its the lyricism that makes Folklore such an astonishing album, with Swift writing both from her own point of view, as well as exploring other peoples. Then there's the true-to-life nostalgic musings of romantic naivety at fifteen and unrequited love looming on the high school bleachers. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. At just 20-years-old before she had even fully blossomed out of country's genre barriers Taylor had mastered the delicate balance of detailing the life moments blurred between adolescence and adulthood. Meanwhile, "Fifteen" translates the same country sentiment into a contemplative portrait of girlhood, of trying to mentor yourself before you've even grown up ("When all you wanted was to be wanted / Wish you could go back and tell yourself what you know now"). But as we all know, Taylor Swift isn't like other artists. But her mounting success undoubtedly stands on the shoulders of Speak Now's case studies of condensing complex inner dilemmas seeing your parents' failed marriage as a prophecy, wishing you'd never grown up into an album still adorned with hope. "Speak Now" comes in at no. Having no taste when it comes to state of Grace?) The bridge to Fifteen includes a great, revealing line about a friends lost innocence (And Abigail gave everything/She had to a boy/Who changed his mind/And we both cried), while the playful melody of Hey Stephen captures the essence of what makes for indelible teen-pop. the album's opening track, and in the closing track, "New Year's Day," when we hear a stripped-down, piano-heavy ballad in which Swift sings emotion-filled lyrics. From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. Written in her freshman year of high school, it positioned her as a country-crossover hopeful ready for mainstream success. "1989" is packed with standout songs that hold their own, like "Blank Space," featuring masterful lyrics in a pop context;"Wildest Dreams," showcasing a heartbeat driving the song and breathy singing that creates a dreamlike quality; and "How You Get The Girl," serving as a lighthearted, pop-infused love song. From Austin Butler and Cate Blanchett to a potential Best Supporting Actress toss-up, see who EW thinks will win at the 2023 Oscars. "Cold As You" highlights Swift's talent in writing beautiful lyrics about heartbreak, a key Swift signature: "You put up walls and paint them all a shade of gray / And I stood there loving you, and wished them all away / And you come away with a great little story / Of a mess of a dreamer with the nerve to adore you.". Though she only first arrived onto (and soon conquered) the popular music scene 16 years ago, the breadth and depth of her work seems more the stuff of a lifelong evolution, spanning multiple genres and breaking industry records almost every time around. Speak Now. Swift released "Reputation" in 2017, three years after "1989," a noticeable gap as she'd previously been debuting albums every two years. Note: If you make a mistake DO NOT click backspace unless you find extremely necessary. But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. Released in 2012, "Red" is a clear departure from Swift's country days, though she holds onto her signatures, like tragic tales told with beautiful lyrics and upbeat, catchy hits, pivoting easily between the two. Swifts most recent release is a glittering return to pure-pop music. First contact is a shock, a singe that lingers and radiates energy, next a scab, hardening as it heals, before calming into a scar you carry, listening to, forevermore. And though Taylor's never been a stranger to love songs, here, she's more sultry than sweet. It's synth-pop with depth energetic beats with lyrics that linger in your mind and soul-baring moments softened with catchy choruses ("It's me, hi / I'm the problem, it's me"). On her first three albums, love is mostly a daydream. This time, she trades her upbeat synth-pop for overt trap tremors and heavy-handed hip-hop, like harsh emergency strobes disrupting a blacked-out cityscape. Song for song, the album finds Swift at a new peak in her command of language. It's as if we're sitting round a campfire confiding in one another, sharing painful memories of when our best wasn't good enough, when our savior complex sputtered out, and when we watched them walk away. From the first track, you know this album isn't like what you've been hearing on the radio it opens with the synthetic beats and sounds of "Welcome to New York.". How do you follow-up Reputation, a revenge album filled with vengeance? Ten albums, a mantelpiece of awards and over a decade later, Swift has become one of the biggest popstars on the planet. It's humbling to hear a decades-defining artist at the absolute top of her career sing confessionals about self-loathing ("I'll stare directly at the sun but never in the mirror") and toxic longing ("I hosted parties and starved my body / Like I'd be saved with a perfect kiss") with less inhibition than ever before. The spectacular The Last Great American Dynasty describes the life of American artist Rebekah Harkness (whose Rhode Island house Swift bought in 2013) with vivid descriptive lyrics. She later builds upon this skill with an added emphasis on production and atmosphere, landing victorious (almost) every time. And that's really all Swift, whose genius for conversational melodies and knack for giving every chorus a telling new twist every time around remain unmistakable trademarks.". Welcome to the Taylor Swift song sorter. When "Midnights" was first announced, Swift described it as "the stories of 13 sleepless nights scattered throughout my life" and invited fans to meet her at midnight the night the album dropped. Rather, it recalls the key moments of a love gone awry in arresting detail "I'll get older, but your lovers stay my age" wasting not a single word in confronting a past partner many years her senior (unanimously believed to be Jake Gyllenhaal) nearly 10 years after the fact. 1989 instead is sonically joyous without losing dimension or leaning on familiarity. Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). ranking every taylor swift song - YouTube 0:00 / 1:02:35 ranking every taylor swift song julia cudney 186K subscribers Subscribe 12K Share 235K views 2 years ago spotify. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. Dark, biting, sassy, and straight-up cool, in this track, Swift makes it known that she's here to play and no one can take her down: "But I got smarter, I got harder in the nick of time / Honey, I rose up from the dead, I do it all the time. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. by Slant Staff October 25, 2022 1 Photo: Republic Records Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. Standouts tracks on this album also include "Fearless," an easy listen that captures the sweet feelings surrounding new romances; "Fifteen," a young love story that unfolds over several verses; "White Horse," a slow tune featuring lyrics about heartbreak that cut deep; "Love Story," a romantic tale with a fairytale edge; and "The Best Day," an emotional song that is filled with sweet childhood memories. Almost 15 years ago, before the Grammy awards and international tours, a fresh-faced, 17-year-old Taylor Swift released her self-titled debut album. So reads Taylor Swift's social media announcement that, just two months after gracing fans with her re-recording of Fearless, she was giving the same treatment to 2012's Red with all 30 songs originally intended for the record. But Evermore finds Swift digging further into her explorations of narrative voice and shifting points of view, taking bigger risks in trying to discover how the newfound breadth of her songwriting could possibly reconcile with the arc of her career. And, thus, here's where she lost some audiences at the onset, who understandably furrowed their brows at first listen. There are whispers of reputation as well on opener "Lavender Haze," "Midnight Rain," and b-side "Vigilante Sh-t," which are menacing in their side-eyed electro hip hop shades but with a more relaxed delivery, swapping her sixth album's shock value for more earnest meditations on conflict born out of your own misgivings. "Speak Now" comes in at no. In the 2017 article, Jenkins also noted that this album features hip-hop influences, something Swift hasn't really done before. True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. 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