Free to the public, the Festival drew 8.25 million visitors on site and online in 2017. Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian. Cultural Sustainability Research in Action. Spirit in the Dark examines Black religious life through a selection of photographs from the Johnson Publishing Company, publisher of Ebony, Jet, and Negro Digest. What precautions should be considered to avoid fire damage from shelling and water damage from extinguishing those fires? But the ambassador was unambiguous in her confidence that the Russians would not succeed. University of California, Los Angeles. The third team at CFCH manages and curates the Ralph Rinzler Folklife Archives and Collections. Eliot Elisofon Photographic Archives, African Art, Center for Folklife and Cultural Heritage. Contact:AdamsG@si.edu, Belanus, Betty, Folklorist, Curator, Education Specialist. To date, the label has won six Grammy Awards, one Latin Grammy, 10 Grammy Lifetime Achievement Awards and 30 Independent Music Awards. Together they reflect diverse aspects of the Black religious experience and testify to the role religion has played in the struggle for human dignity and social equality. Nevertheless, he proposed to stage an outdoor festival on the National Mall during the summer, building on his previous career as both performer and manager in the music industry. Smith College; M.A. Then, theyve carefully re-packed them with an eye toward their long-term sustainability. Since 1967, the Smithsonian Folklife Festival has collaborated with cultural practitioners, communities, heritage professionals and scholars to spark curiosity, catalyze intercultural exchange, and create participatory experiences that nurture creative human connections. This intangible cultural heritage, transmitted from generation to generation, is constantly recreated by communities and groups in response to their environment, their interaction with nature and their history, and provides them with a sense of identity and continuity, thus promoting respect for cultural diversity and human creativity. (1978) Kenyon College; M.L.S. Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. [1] Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. The recordings were bundled into the Smithsonian Folkways label. In concatenated form, it documents the shift from folklore to cultural heritage that has taken place in academics and in fieldwork within the last 15 years. The center is a research and educational unit of the Smithsonian that produces the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, exhibitions, symposia, publications and educational materials. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). Dr. Richard Kurin, the Smithsonian's Distinguished Scholar and Ambassador at Large, has served as the institution's Under Secretary and as director of the Center for Folklife and Cultural . The Cultural Vitality Program works collaboratively with communities around the world to support the sustainability of homegrown forms of cultural and artistic production, especially in the areas of language, Indigenous culture, and craft. B.A. Tradition is always with us, shaping our thoughts, our behavior, our path into the future. They focus on American, and more specifically Euro-American, African American, Caribbean and Native American musical and performance traditions. B.A. Support the Center for Folklife and Cultural Heritage Thanks to the generosity of people like you, the Center is helping to sustain the world's cultural diversity by building understanding, strengthening communities, and reinforcing our shared humanity. Storing collections in places without proper climate control and inadequate air circulation often leads to the development of mold, fungus and other problems that have to be mitigated. (2004) Barnard College, Columbia University; M.A. Rinzler worked at the center until his death in 1994. Research specialties: Occupational folklife, veterans of World War II, American film and mass media. This is the moment when the CFCH took notice. Spirit in the Dark: Religion in Black Music, Activism and Popular Culture B.A. B.A. As the one-year anniversary of the deadly 2022 Russian invasion of Ukraine approaches, we take a close look at the ongoing work of hundreds of professionals across a landscape of Ukrainian and international organizations to defend endangered cultural heritage. View of the Smithsonian Folklife Festival on the National Mall, 2004. (1972); Ph.D. (1989) George WashingtonUniversity. Morris and Rinzler were named Washingtonians of the Year. Research specialties: Asian American history and culture, Los Angeles history and culture, urban history, public history, vernacular landscape. Russias war against Ukraine and its people is a clear and terrible affront to humanity and a violation of fundamental rights recognized in those accords. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage | Smithsonian Institution Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage The Center for Folklife and Cultural Heritage is home to the Ralph Rinzler Folklife Archives and Collections. (1967) Harvard University; M.A. The lab has also used satellite monitoring to document looting. B.A. Research specialties: cultural presentation and representation,cultural heritage policy, cultural disaster and response, material culture studies, museum controversies, indigenous knowledge systems, cultures of south Asia and the United States. Toward the end of the fierce battle for Kherson in November 2022, museum staff at the Kherson Regional Art Museum reported that dozens of Russian specialists and aides haphazardly loaded two trucks with some 10,000 artworks without proper packing. (1973) Scripps College, M.A. Advisory Council Member at Smithsonian Center for Folklife and Cultural Heritage In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. Ralph Carter Rinzler, 59, was former Assistant Secretary for Public Service and founding Director of the Festival of American Folklife. The SLC works collaboratively with Smithsonian museums and research centers, ensuring that the contributions of the Latino community in the arts, history, national cult Learn More Smithsonian Commemoration The Smithsonian at 175 It also maintains the Ralph Rinzler Folklife Archives and Collections. And the work of organizations, including the Smithsonian, mobilized thanks to years of cultural heritage training efforts, is aiding the country in its effort to protect artifacts, books, documents and artworks from these insidious attacks. Junior Volunteer at Festival of American Folklife, 1986. The Center for Folklife and Cultural Heritage is a research center of the Smithsonian Institution. Over decades of research and production, we have created educational materials for cultural professionals, educators, and casual learners, including lessons plans, documentation handbooks, learning guides, and online exhibitions. Building on the awareness raised since the beginning of the century by a suite of UNESCO Declarations and Conventions, the centers Cultural Sustainability Research Group is at the forefront of a shift from reified and ossified discourses of preservation to more dynamic and ecological models of sustainability. How, then, could conservators make house calls around the country at facilities storing collections of art, artifacts, books, documents, photographs and scientific specimens that documented the richness of Ukraines history, art, culture and scientific achievement? Senior Folklorist Emeritus. (1970) Williams College; M.A. Following World War II, the nations of the world contemplated the armed conquest of neighbors, the Holocaust, genocide and mass execution, the restrictions of thought, movement, belief and association inflicted by the Nazi regime. In a September 2022 presentation in New Yorks Ukrainian Museum during United Nations General Assembly week, Ukraines first lady Olena Zelenska and Ukrainian Ambassador to the U.S. Oksana Markarova clearly articulated this point. Once again the subject matter was defined: Intangible Cultural Heritage means the practices, representations, expressions, knowledge, and skills as well as the instruments, objects, artifacts and cultural spaces associated therewith that communities, groups and, in some cases, individuals recognize as part of their cultural heritage. Native American Blanket Toss at Festival of American Folklife, 1974. Our curators and scholars, drawn from folklore, anthropology, ethnomusicology, and a broad range of cultural studies, are distinguished in their practice of collaborative research and representation. The Smithsonian Folklife Festival is an international exposition of living cultural heritage annually produced outdoors on the National Mall of the United States in Washington, D.C., by the Smithsonian Center for Folklife and Cultural Heritage. This includes not only the artifacts which are born-digital but also older analog forms which require reformatting for the digital world.[10]. Research specialties: Public sector folklore and ethnomusicology,traditional musicand museums, popular folk musics of Latin America, mariachi music in Mexico and the U.S. Working in collaboration with the Smithsonian initiative "Recovering Voices"., this interdisciplinary research program explores relationships between language revitalization, cultural heritage, and traditional cultural transmission. Ripley, S. Dillon. HERI mobilized to provide emergency packing materials. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. [6] This was non-standard for the Smithsonian, and guaranteed to provoke curators accustomed to operating in orderly museum buildings.[7]. Adams, Greg,Interim Archives Director. [note 4] Through these connections with external networks and strategic cultural partners, best practices and challenges emerge to inform the future of cultural heritage policy and practice at the Smithsonian. At a meeting in 1989, they published a "Recommendation on the Safeguarding of Traditional Culture and Folklore". It is open to guest researchers and other visitors by appointment. Find on the map and call to book a table. The Smithsonian Latino Center (SLC) is now a part of the National Museum of the American Latino. (1987) University of Maryland. A plethora of newly minted compound concepts have been introduced into the vocabulary and discussion of culture since the turn of the century. (1970) Williams College; M.A. (1964), Ph.D. (1973) University of Pennsylvania. My Armenia harnesses the power of storytelling to strengthen cultural heritage sustainability through community-based tourism development. Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. | READ MORE. (1977) Smith College; M.A. Educational projects including items like teachers guides, guides to oral history, and lesson plans for learning about particular traditions are distributed online and in hard copy. Contact:LinnM@si.edu, Motley, Sabrina Lynn, Director, Smithsonian Folklife Festival. The first Festival of American Folklife, with a budget of $4,900 and showcasing 84 participants, took place over the Fourth of July weekend 1967 on the National Mall and on the plaza of the Museum of History and Technology. The American Folklife Center, at the nearby Library of Congress, limits its scope to American Folklife in contrast to the international scope of the CFCH. [3] Instead of collecting and curating objects, both the Festival and the Folkways units at CFCH collect, research, and produce experiences. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Hayride String Band at Festival of American Folklife, 1985. Since the beginning of the invasion, the Cultural Heritage Monitoring Lab, aided by the University of Maryland Center for Development and Conflict Management and a displaced Ukrainian Fulbright scholar supported by the Smithsonian, used remote sensing to identify some 1,600 cases of potential damage to Ukrainian cultural heritage sites. (1976) University of Minnesota; M.Ln. (2012) Leiden. Since 1967 the Smithsonian Folklife Festival has taken place at the National Mall and featured ongoing performances and demonstrations of contemporary cultural traditions. Folklife Magazine explores how culture shapes our lives. This identity is indeed an explicit target of Putins war, she said. Alarmed, the lab began geolocating cultural heritage sites in Ukrainerecording the coordinates of monuments and memorials, places of worship, cemeteries, museums, libraries, archives, performing arts centers, historical buildings and archaeological sites. Ph.D. (1979) University of California, Los Angeles. B.A. How much of the culture of a region is embodied in the actual vocabulary of its language? Mailing Address: Center for Folklife and Cultural Heritage Smithsonian Institution P.O. Contact:HolmgrenM@si.edu, Hunt, Marjorie, Folklorist, Curator, Education Specialist. The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. At the 2007 Smithsonian Folklife Festival, visitors admire the Pakistani hand-painted truck originally brought to the Smithsonian for the 2002 Folklife Festival. Using satellite imagery, the labs team examined the cultural damage caused by another Haitian earthquake, Taliban attacks on cultural sites in Afghanistan and the treatment of cultural resources in areas contested by Armenian and Azerbaijani forces. (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. The centers collections are global in perspective, covering world ethnic performance traditions, spoken-word recordings, sounds of science and nature, occupational folklore and family folklore. (2007), Ph.D. (2015) New York University. Rather, they suggest a targeted attack on Ukrainian history, culture and identity, a means toward Putins endsthe destruction is a deliberate attempt to obliterate Ukrainian history and culture. Intern at Smithsonian Center for Folklife and Cultural Heritage Portland, Oregon, United States . B.A. This paper defines the field as folklore and uses that term throughout its paper:[4]. In May 2022, Ukrainian Ministry of Culture and Information Policy officials received reports of an attack on the Hryhorii Skovoroda Literary Memorial Museum, dedicated to an 18th-century Ukrainian poet, philosopher and composer and located in the tiny village of Skovorodynivka, near Kharkiv and the Russian border. This research informs collaborations with communities working to sustain their most cherished cultural heritage: Sustaining Minority Languages in Europe Project. (1993), A.B.D. B.A. Their goal is to explore means and indicators for assessing the impacts of culture on sustainable development, to develop best practices for bringing culture into political and social policy, and to share their findings with individuals, communities and policymakers around the world. Since 1967, the Smithsonian Folklife Festival has collaborated with cultural practitioners, communities, heritage professionals and scholars to spark curiosity, catalyze intercultural exchange, and create participatory experiences that nurture creative human connections. Folklore (or traditional and popular culture) is the totality of tradition-based creations of a cultural community, expressed by a group or individuals and recognized as reflecting the expectations of a community in so far as they reflect its cultural and social identity; its standards and values are transmitted orally, by imitation or by other means. The Smithsonian collaborated with Haitian colleagues to establish facilities and training programs, saving and treating some 35,000 endangered artworks and artifacts. Director of Special Projects. The Washington Monument can be seen in the distance. Don Quijote, #2 among General Alvear coffeehouses: 1 review by visitors. Junior volunteer John McCauley demonstrates marblemaking to onlookers at the 20th Festival of American Folklife, in the Summer of 1986. In 2020, at a Washington, D.C. symposium organized by the Smithsonian Cultural Rescue Initiative (SCRI), Ihor Poshyvailo, the director of the Maidan Museum in Kyiv, warned American and international colleagues that culture was becoming an object of war, as Russification policies in the regions captured in 2014 were aimed at diminishing a Ukrainian presence. [9], The Archives' holdings were seeded by the business records of the Folkways Record label, which were acquired by the CFCH in 1987, and contain the business files of Lead Belly, Pete Seeger, and Woody Guthrie among others. Along with the artifacts of material culture, we are blanketed with artifacts of intangible cultural heritage, including traditions of performance, ritual, music, dance, knowledge, storytelling, and oral transmission. (1976) Simmons College; M.A. Cookie Settings, Courtesy of National Research and Restoration Center, Courtesy of the Cultural Heritage Monitoring Lab, Courtesy of the National Research and Restoration Center, University of Maryland Center for Development and Conflict Management, Heritage Emergency Response Initiative (HERI), International Centre for the Study of the Preservation and Restoration of Cultural Property. Research specialties: Intangible cultural heritage, Latin American music (specifically: USA, Mexico and Guatemala, Indigenous and migrant communities). For more information, visit the Smithsonian's, International media Interoperability Framework. Smithsonian Folkwaysisdedicated tosupporting cultural diversityandincreased understanding among peoplesthrough the documentation, preservation, and dissemination of sound. A third team involved in the more theoretical work on "cultural policy". Using the (by then) well-established National Folk Festival as a model, he wanted to exhibit and celebrate different folk traditions from across the nation. Director, Smithsonian Folklife Festival. (2011) Leiden; M.Phil. (1976) Simmons College; M.A. 2023 Smithsonian Magazine Contact:NDiaye@si.edu, Place, Jeffrey, Curator and Senior Archivist. (1979) Emory University; Ph.D. (1991) George Washington University. An active research group was formed to explore and articulate this concept of cultural sustainability. They have tackled challenges and found solutions to questions like: Whats the best way to pack hundreds of paintings quickly? [8], The Smithsonian Folkways Recordings has as its stated mission to curate and provide public access to each item in their collection of folk music, spoken word, instruction, and sounds from around the world. On this Wikipedia the language links are at the top of the page across from the article title. Investigating Afrofuturist expression through art, music, activism and more, this exhibition explores and reveals Afrofuturisms historic and poignant engagement with African American history and popular culture. The topics and research areas that had been labeled as folklore and folklife are increasingly rebranded as topics within the purview of cultural studies. It is this contemporary shift that CFCH bridges in its compound title of Folklife & Cultural Heritage. B.A. This component, previously tucked in with social sustainability, was now to considered in its own right. B.A. B.A. That enables the monitoring of bombings, missile strikes, artillery shelling and fires. Smithsonian Center for Folklife & Cultural Heritage Blog | Smithsonian Magazine Smithsonian Voices From the Smithsonian Museums Introducing Graphic Artist Jean Young's Powerful New. Poshyvailo was intimately familiar with the Smithsonians work, having served as a Fulbright scholar in 2010 while the institution mobilized on-the-ground efforts to save cultural heritage in Haiti following a devastating earthquake. Street and Delivery Address: Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. (1980), Ph.D. (1990) Indiana University. Seitel, Peter, Senior Folklorist Emeritus. (1979) Emory University; Ph.D. (1991) George Washington University. The Centers work is local, national, international, and global in scope. Hunt, Marjorie, Folklorist, Curator, Education Specialist ; M.A Columbia University ; Ph.D. ( 1991 George. Alvear coffeehouses: 1 review by visitors ( 2004 ) Barnard College, Columbia University ;.! 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