Dave Green joins Alyn Shipton to pick the essential recordings of fellow bassist Scott LaFaro's brief but brilliant career, including work with Bill Evans. LaFaro-Fernandez: My father passed away (from a heart attack) in 1957. LaFaro is best known as the bassist in Bill Evans' groundbreaking trio, and also worked with Chet Baker, Ornette Coleman, Sonny Rollins and the Stan Kenton Orchestra. Former Major League Baseball pitcher Scott Erickson has been charged in connection with a hit-and-run crash in Westlake Village that killed two . LaFaro started his professional career playing a German-made Mittenwald double bass but it was stolen in the Spring of 1958. Scott LaFaro - Artist Details. This year The Smith is excited to have National Endowment of the Arts Jazz Masters Kenny Barron (piano) and Dave Holland (bass) together on stage on Saturday, April 6. Is that a jazz thing? After three months at Ithaca College, he concentrated on bass. My dad loved the director, so we had to go and have that experience as well. To top it off, the old cars didn't have self-sealing gas tanks and as in the case of LaFaro's accident, if they ruptured, frequently resulted in fire. That huge sound and strength of attack is finger-sprung alone. Gleason commented, It is, however, as a vehicle for bassist Scott LaFaro that the LP really impresses. Later in the year, he toured and recorded with the Cal Tjader-Stan Getz Sextet. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. Performers: Hampton Hawes, p; Harold Land, ts; Scott Lafaro, b; Frank Butler, d. 14 Mar 1958. You know how some people (and you may be one of them) like to go on YouTube and listen to isolated Beach Boys backing vocals and John Bonham drum parts? Mom needed the money. Active. He played in a trio or quartet at Belhurst from the time he got back until he died. Your family ended up following Scotty out to California. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 28 Dec 1958. Search Music. . Scotty was on the road at the time, in California. Pianist Prez was then a professor at the New England Conservatory; his student, Read More Explaining the Taubman Approach, Everyone knows that Joe Williams sang the hell out of the blues, but do you know what else he sang the hell out of? It was there his career exploded. [9], Writing for AllMusic, music critic Thom Jurek wrote of the album: "While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio. He proved to be a natural for the instrument, which obsessed him, and early in his sophomore year he went on the road with Buddy Morrows orchestra. A master of the upright bass, he recorded with Bill Evans and Ornette Coleman before he died in a car crash at age 25. ~ Scott Yanow. I return to the idea of the helmsman, because LaFaro always plays as if hes en route to some vital destination, and hes helping to take other musicians there, and, of course, those of us who are listening in. Mom needed the money. In spring 1960, he featured on a half-dozen tracks that trumpeter Booker Little cut for his second session as leader. [10] Obsessively he played "I Loves You Porgy", a song that had become synonymous with him and LaFaro. On Sundays our family would go to church, then go to the movies in the afternoon. A stacked bass makes for a stacked musical deck. https://www.youtube.com/watch?v=PNqSL3xGW70, The Evans Trios appearance at the Village Vanguard opposite Lambert, Hendricks & Ross in June 1961 culminated with the legendary recordings made on the last day of the two-week engagement, Sunday, June 25. LaFaro burned like a meteorite, rising to the top rank of bassists in a few short years and working with a Whos Who ofjazzgreats in the compressed time frame preceding his death at age 25. The BMW then struck a fourth car which was traveling south on Corbin Avenue. The action you just performed triggered the security solution. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. That left air and spaceand timewhich could do with some filling, some shaping. Helene makes no secret of LaFaros exacting standards and competitive personality, and she quotes many who testify to the same. The Getz Quartet, with either Henry Grimes or Jimmy Garrison spelling LaFaro (Kuhn cant recall for certain), was playing that week at Saranac Lake in the Adirondacks. LaFaro was killed in a car accident near his hometown of Geneva, N.Y., at age 25. We also spent time at the First Presbyterian Church choir. 4 or The Paradox of Continuity, The Montreal Tapes: with Geri Allen and Paul Motian, https://en.wikipedia.org/w/index.php?title=Waltz_for_Debby_(1962_album)&oldid=1139601889, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from January 2021, Articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License 3.0, Note on the alternate takes: "For this CD release, alternate versions of three of the six selections have been inserted just after the ones originally chosen for issuance.[] Upon returning to L.A., LaFaro phoned his friend Herb Geller, who was then playing alto with Benny Goodman in New York. He told Helene that Scott lived for the bassHe was looking all the time to play. Become a member and get exclusive access to articles, live sessions and more! Your IP: But LaFaro makes the music pulsehe provides its heartbeat and flow. Once he got the gig, his college days were over. I was 19 and working. Well, Michael Cera did play a bassist in Scott Pilgrim Vs. the World. Stan Levey. He was playing mandolin and violin publicly by age 7. Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. "[12], In 1988, Insights label of RVC Corporation in Japan released Memories for Scotty. LaFaro went on to perform with Victor Feldman, Chet Baker, Benny Goodman, Stan Kenton, Stan Getz and Ornette Coleman. LaFaro-Fernandez: When Scotty was in sixth grade we took our first piano lessons. While driving home late one nighthis car went off the road and struck a tree. The important thing is his art while he lived. Following the Vanguard engagement, LaFaro played with Getz, Steve Kuhn, and Roy Haynes at Newport on July 2. "Route 66" songwriter Bobby Troup was the show's host. Taking a tip from Red Mitchell, he trained himself to pluck the strings of his bass with his index and middle finger independently. On March 5, 2014, the Geneva (New York) City Council approved making April 3 Scott LaFaro Day. Later we moved to Elmwood Place, and during the summer we would spend many of our days at the Brook Street Playground. LaFaro-Fernandez, Helen; Ralston, Chuck; Campbell, Jeffrey R.; Palombi, Phil (2009). Died . Hes just so damn elegant. Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. Does anyone have pictures of this bass, or have you seen it in person? My mom was still pregnant with my last sister. My day consists of such a singular preoccupationthe physicology of music. Three of the tunes from their setBaubles, Bangles and Beads; Where Do You Go; and Airegin were released on CD in 1994. . https://www.youtube.com/watch?v=faSD3g1ndHE, LaFaro began working regularly with Ornette after Evans became ill with hepatitis in July 1960 and went to Florida to recuperate at his parents home amid rumors that hed died. Performers: Buddy Morrow, tb; Walt Stewart, tp; Dick Johnson, as; Scott LaFaro, b; plus unidentified other musicians. We are in a fix! Q: What happened to your brother after Ithaca College? He felt such a strong passion for the bass that he became obsessed with practicing, spending countless hours in the rehearsal rooms at Ithaca College. The last day was recorded for two albums, Sunday at the Village Vanguard and Waltz for Debby.[8]. Tracks. Dont get fancy, no double beatsPlay whats written.LaFaro flew east, passed the audition, and signed on for a six-week tour of one-nighters with Goodman. She had lost her husband, then four years later lost her son, and she still had young kids to raise. Composer: Hammerstein II / Kern When we were in junior high school, Godfrey Brown, the head of the high school music department, would come there to recruit for positions they needed to fill in the band and orchestra. Our Dad was from here. You may additional context in comments. Chops: What Bassists Listen for in Drummers, The 10 Best Jazz Albums of the 1950s: Critics Picks, Year in Review: The Top 40 Jazz Albums of 2022, Year in Review: The Top 10 Historical Albums of 2022, Chops: What Bassists Listen for in Drummers. Available Qualities. In the mid 1950s, at the Los Angeles music scene, he became known as one of. Scott Yanow, All-Music Guide Scott LaFaro's life and career were cut short in July of 1961. He was excited. 52.119.1.55 But its a moment were meant to be a part of, that both surrounds us and is for us. Oscar Peterson Trio . Shortly after, he acquired a bass made in 1825 in Concord, New Hampshire by Abraham Prescott. [1] With Evans and drummer Paul Motian he developed the counter-melodic style that would come to characterize his playing. Performers: Stan Getz, ts; Steve Kuhn, p; Scott LaFaro, b; Roy Haynes d. Newport, 2 July 1961. That is what so many families Sunday ritual were like. He wanted the conversation back and forth between each of the players, and he wanted to play melody. It will be observed on his birthday anniversary, April 3. Free Jazz did that kind of splicing and segmenting for you, as part of, neatly enough, its original integrated sonic package. Little was as star-crossed as LaFaro, and hes usually talked about in conjunction with altoist Eric Dolphy as often as LaFaro is with Evans. A Dead Musician Directory Celebrity Page. His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. Lets call it the chimerical voice of the rhythm sectionas well as what could often be the lead instrument when LaFaro was in your band. He's seen here playing "Cherry" and "Chart of My Heart" with saxophonist Richie Kamuca's Quintet on a Stars of Jazz television broadcast on April 7, 1958. Composer: Gillespie [11], Bill Evans said of LaFaro's Prescott bass: "It had a marvelous sustaining and resonating quality. I still have people from all over the world knocking at my doorstep, wanting to see where Scotty played. All is possible, and then all is no more. You can email the site owner to let them know you were blocked. The Los Angeles music scene, he acquired a bass made in 1825 in Concord New... 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